About the Model C180SL229PC
Inspired by the demand and popularity of the new Chicago C trumpet, and with understanding the diverse needs of today's orchestral players, we proudly bring you the new C180SL229PC "Philly" C trumpet. The "Philly" C combines the unique design elements of the C180SL229CC but with a standard weight bell to give player the same ease response but with a broader sound.
The Bach C180 series trumpets are the number one selling professional orchestral trumpets in the world. The C180SL229PC "Philly" C Trumpet features a .462" large bore, special 25C mouthpipe based on Vincent Bach's original design, and a standard weight #229 one-piece hand-hammered professional bell with a classic French bead flat rim providing a quick response with outstanding projection and broader tone. The 1st valve thumb ring allows for easier tuning adjustment. Narrower bell to valve casing and valve casing to mouthpipe braces improve resonance. The silver-plate finish provides a controlled brilliance to the overall sound. The Philly C trumpet is the perfect choice when you need a quick response with a big broad sound.
Bach "Stradivarius Philly C" - Key of C, .462" large bore, standard weight one-piece hand-hammered yellow brass #229 bell with classic French bead flat rim with soldered bell wire, special #25CC leadpipe based on 1947 design, wide foot bell to leadpipe braces, narrower braces at bell to valve casing and valve casing to leadpipe, thumb ring on first valve, narrow tuning slide....1947 design, single brace on tuning slide, bead rings on all slides, hexagon shaped pull knobs, 1st slide thumb ring, 3rd slide pin stop, silver-plate finish, Bach 7C mouthpiece, C180C woodshell case.
Born Vincent Shrotenbach in Vienna in 1890, he initially received training on violin, but subsequently switched to trumpet when he heard its majestic sound. Although Vincent also displayed a strong aptitude for science and graduated with an engineering degree, he gave up a promising career to pursue his first love and an uncertain future as a musician. Performing under the stage name, Vincent Bach, he established musical success as he toured throughout Europe.
World War I forced Vincent’s move to New York City where he arrived with only $5.00 in his pocket. A letter to the famous conductor Karl Muck procured Vincent an audition and a resulting position with the Boston Symphony. By the following season, he was first trumpet in the Metropolitan Opera House. While on tour in Pittsburgh, Vincent’s mouthpiece was ruined by a repairman. Vincent had great difficulty in finding a suitable replacement. While on furloughs, he spent time in the basement of the Selmer Music store remodeling old mouthpieces.
In 1918, with the investment of $300 for a foot-operated lathe, Vincent went into the business of making mouthpieces. The business grew rapidly and in 1924, the first Bach trumpets were produced. Musicians frequently referred to a Bach trumpet as a real ‘Stradivarius’, thus inspiring the name Bach Stradivarius. Bach later added trombones to his line around 1928.
At the age of 71, Vincent sold his company. Although he received twelve other offers, including some that were higher, Vincent chose to sell to the Selmer Company. In 1964, the tooling and machinery for Bach instruments was moved from Mount Vernon to their current home in Elkhart, Indiana. Today, these instruments continue to embody the highest standards of craftsmanship and adhere to Vincent’s original designs and blueprints.
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